Lot in Sodom: a new soundtrack for an avant-garde silent film

And they called unto Lot: “Where is the man which came in unto thee this night? Bring him out that we may know him.”


James Sibley Watson and Melville Webber’s avant-garde silent film, Lot in Sodom, tells the biblical story of Lot, who is visited by angels and instructed to leave Sodom before it is destroyed by God for the sins of the Sodomites. Watson and Webber take an experimental approach to telling the story and make use of a variety of visual effects, including many superimposed shots.

One of my projects for 2014 was to write another soundtrack. The soundtrack that I created for Watson and Webber’s first film, The Fall of the House of Usher, has been one of the more successful things that I’ve done, plus it was just a lot of fun to work on, so I very much wanted to do another. So which film to choose? Well, Lot in Sodom was an obvious choice.


The transition from silent films to talkies happened very rapidly at the end of the twenties, so that by 1933 making a silent film was an anachronism. Watson and Webber didn’t have the budget to make a sound film, but they did commission Louis Siegel to write a score which they recorded. Siegel’s score is as avant-garde as the film is, if not more so. Though I understand that Watson and Webber were happy with it, in my opinion it’s not very effective at supporting the story. My version is somewhat less experimental, but hopefully it creates the right mood and fits the events on screen a little better.

Compared to The Fall of the House of Usher, this film was a little more challenging to write music for. It’s just under half an hour, so there’s twice as much to write. Furthermore, there are a lot of changes in mood and tempo that are difficult to compose around. And some sections call for more energetic music than I’m used to writing. So working on this project has pushed me outside of my usual styles and techniques, with the result that I’m prouder of this music than I am of The Fall of the House of Usher.

The soundtrack itself is now complete, but I’m still thinking about how it will be released. My current plan is to put the video on YouTube but also create a release on Bandcamp of the music only. I’m also planning to put The Fall of the House of Usher on Bandcamp as well. So there are still a few things to do. In the meantime, here’s an excerpt from the soundtrack to whet your appetite.

It should all be ready within the next couple of months. If you’d like to be the first to know when you can see it, please subscribe to my newsletter.



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