The Hands of Ruin soundtrack to The Fall of the House of Usher is available today. I’ve been very happy with how this first attempt at writing a soundtrack went, and I think it stands up as a piece of music even apart from the film, so it’s a pleasure to now give it a release of its own.
You can get The Fall of the House of Usher on Bandcamp.
Thank you so much for all your support.
Even though it was made some years ago, I’m still rather proud of the soundtrack to The Fall of the House of Usher that I made in 2012, and I’ve wanted for a while to give it its own release. This is a modern soundtrack to the 1928 adaptation of Edgar Allan Poe’s story by American avant-garde cinema pioneers James Sibley Watson Jr. and Melville Webber. While there are a few things that I might change if I were to re-write it today, I think it does a good job of capturing the atmosphere of melancholy and dread in the film, and I think it also stands as a good piece of music apart from the film.
Many thanks to Malwina Chabocka for creating the wonderful cover art for this release.
The release date is 15 March, but you can pre-order The Fall of the House of Usher on Bandcamp now. Thank you for your support.
A mix of neofolk, martial industrial and related music, old and new, with a bit of neoclassical to start things off. I’ve heard quite a bit of music lately that I’d like to share. Some of these are things I’ve also reviewed for Heathen Harvest:
And I was proud to see my own track, Tyburn, included on Heathen Harvest’s Midsummer II compilation.
- Arcana – In Memoriam
- Jo Quail – White Salt Stag
- Rome – This Light Shall Undress All
- Ordo Rosarius Equilibrio – Venus in Nothing but Nylons and Pearls
- :Of the Wand and the Moon: – Camouflage
- Arbeit – Tod ist mein Schicksal
- Erde – Die Quelle
- Hands of Ruin – Tyburn
- BloodSoil – A New Race
- Wappenbund – Der flammende Ritt zum rechten Pfad
- Hezaliel – Light at the end of the fall
Caroline Jago is the composer and multi-instrumentalist behind Seventh Harmonic and Shadow Biosphere. We hadn’t met before, but a few weeks ago she sent me a nice message on SoundCloud. She mentioned that she’d be open to collaborations, and since I’ve done a couple of remixes and enjoyed the process I suggested that I might remix one of the tracks from Garden of Dilmun.
As it happens, that was something that I had been thinking about even before Caroline got in touch. I’ve been familiar with Seventh Harmonic for some time, having seen them playing live at shows in London on a couple of occasions, and one of the things that has always struck me about their music is how dense the sound is. I’m someone who leaves a lot more space in my music, so I’d wondered what they might sound like with a more open mix. So that’s part of what I’ve attempted to achieve with my remix of Mneme.
I love doing remixes because it’s an opportunity to learn deeply about how other people write music. I’ve always worked on my own, so I only know my own way of making music. But when I do a remix I’m always struck by how differently other people approach melody and the structure of their tracks. Like many electronic musicians, I’m perpetually afflicted by loopitis, and remixing has shown me how musicians that I admire avoid that trap.
This month marks Garden of Dilmun’s fifth anniversary, so I was very pleased that this remix could be part of that celebration.
It’s been a couple of years since my last mix focussing entirely on the martial industrial genre, and since then I’ve discovered some more great musicians, plus there have been new releases from some of my old favourites. So it’s time for another:
- L’effet c’est moi – Runes of Victory
- The Protagonist – Spirits of the Dead
- Rukkanor – The Final Trace
- In The Nursery – Resonate
- Parzival – Regnabit
- Sophia – Downfall
- In Slaughter Natives – Gaudium et alia vitia
- Tribes of Medusa – Banishment
- Arditi – Sturm auf die Zukunft
- Waffenruhe – Stuka
- Triarii – Europe in Flames
- Atomtrakt – Ins Verderben
- Wappenbund – Licht ist Leben II
- Ribat – Document #2: Révolte Nationale
I recently had the pleasure of putting together a mix for the wonderful zine Wounds of the Earth. The result is a mixture of dark ambient and martial industrial. See the full track list.
In addition to my obvious love for the genres of martial industrial and dark ambient, I’m also rather partial to a bit of EBM and futurepop. One of the finest musicians in those genres is Stefan Poiss of mind.in.a.box and THYX. So when he offered remix kits to anyone who wanted to make a remix, I jumped at the chance and made a rather Hands of Ruin-ish mix of Black Hole.
I was hoping (and I think he was too) that the remix album would come out sooner. When it does, I’m optimistic that my mix will be on it. But in the meantime, I want to share something of what I did. This is the instrumental mix of Black Hole. When the remix album is released you’ll hear the mix complete with vocals (and if my mix doesn’t make the cut then I’ll put it here on the blog).
Some time ago I announced that I was working on a soundtrack for Lot in Sodom, a 1933 avant-garde silent film. After slightly longer than I’d expected, it’s here.
James Sibley Watson and Melville Webber’s silent film, Lot in Sodom, tells the biblical story of Lot, who is visited by angels and instructed to leave Sodom before it is destroyed by God for the sins of the Sodomites. Watson and Webber were pioneers of avant-garde film-making, much influenced by German expressionism. Lot in Sodom takes an experimental approach to telling the story and makes use of a variety of innovative visual effects, including superimposed shots and shooting through prisms.
The soundtrack was written in 2014 and 2015. I wanted to create something that would support and emphasize the mood of the film. And it seemed fitting to write a soundtrack for this film in particular, having previously made one for their 1928 film, The Fall of the House of Usher.
The soundtrack is available to buy on Bandcamp.
This is the second part of my mix for the Settlers of Catan game. It builds up slowly from a dark ambient opening, journeys through some early and religious music, and ends with an intense, bombastic finale.
- Archon Satani – Another Great Moment in Paradise
- Raison d’etre – The Maturation of Nature
- Orplid – Parzivals Traum
- Djivan Gasparyan – Little Flower Garden
- Daemonia Nymphe – Thracian Gaia
- Gor – Kyrie Eleison
- Anatoly Grindenko / Russian Partriarchate Choir – Prokimenon (mode 3)
- Raison d’etre – Death in the Body but Made Alive by the Spirit
- Cold Fusion – Crusade
- Arvo Pärt – In principio: II. Fuit homo missus a Deo
- Hildegard von Bingen – O Viridissima Virga
- Kronos Quartet – Brudmarsch frå Östa
- Ordo Equilibrio – After Reign cometh Sun
- Rukkanor – Defenders of Faith
- Desiderii Marginis – Come Ruin and Rapture
- Kreuzweg Ost – Exitus in Paradisum
- Kazeria – Like Ancient Legions
- Hands of Ruin – Against the Gods
- The Protagonist – Hesperia
- Rukkanor – Desireth
- Parzival – Uttara Purana
- Hans Zimmer and Lisa Gerrard – The Battle
- John Bergin – Marshes of Untill
- Howard Shore – Forth Eorlingas (featuring Ben Del Maestro)
See also part 1.
A playlist put together for games of Settlers of Catan. I’m not terribly good at the game, but my friends say that I have the best music for it. This is part one of two.
- Jo Quail – The Falconer
- In the Nursery – The Other Side of Reality
- Johannes Ockeghem – Missa “Fors seulement”: Credo
- Arcana – Parisal
- Dead Can Dance – Chant of the Paladin
- Wardruna – Sowelu
- Rukkanor – Tiveris
- Arcana – Infinity
- Peter Andersson – Tulpa Part VII – Yang-Tul Unveiled
- Wardruna – EhwaR
- Dead Can Dance – The Song of the Sibyl
- Thomas Tallis – Spem in alium
- L’effet c’est moi – Ianvs axis mvndi
- Peter Bjärgö – As We Evaporate
- Howard Shore – Flight to the Ford
- In the Nursery – Crepuscule
- Blood Axis – Wulf and Eadwacer
Update: Part 2 is now available.